I Prevail and Beartooth To Join On All Dates

Tickets Go On Sale To General Public Starting Friday, August 9

Today A Day To Remember announced The Degenerates Tourfor Fall 2019. Special guests I Prevail and Beartooth will join on most dates. A Day To Remember were recently featured on Marshmello’s single “Rescue Me,” making their first new music since 2016’s acclaimed Bad Vibrations.  Watch and listen HERE.   Later this month, ADay To Remember will embark on a run of UK and European festival dates, including headline performances at Reading and Leeds Festivals.

Produced by Live Nation, the 30-city trek will kick off September 6th in Buffalo, NY before settling in for the first ever Self Help Festival Massachusetts on September 7th in Worcester, MA.  The band will then head west for the return of Self Help Festival San Bernardino on October 12th in San Bernardino, CA.  After the two massive Self Help Festivals as well as other September festival appearances, the tour will fully gear up and make stops in Denver, Houston, Chicago, Cleveland, Nashville and more before wrapping November 23rd in Fayetteville, NC. Tickets go on sale to the general public beginning Friday, August 9th at 10am local time at LiveNation.com.

Over the course of the past several years, each of A Day To Remember’s releases have hit No. 1 on Billboard’s Rock, Indie and/or Alternative Charts, they’ve sold more than a million units, racked up over 400 million Spotify streams and 500 million YouTube views, garnered two gold-selling albums and singles (and one silver album in the UK) and sold out entire continental tours, amassing a global fanbase whose members number in the millions. All of which explains why Rolling Stone called them “An Artist You Need To Know.”

A Day To Remember 2019 Tour Dates:

DATE                                                  CITY                            VENUE

Friday, September 6, 2019                 Buffalo, NY                 Buffalo Riverworks*% On Sale Now!

Saturday, September 7, 2019            Worcester, MA            The Palladium (Self Help Festival)*% On Sale Now!

Sunday, September 8, 2019              Concord, VA               Blue Ridge Rock Festival* On Sale Now!

Friday, September 27, 2019               Louisville, KY              Louder Than Life Festival* On Sale Now!

Saturday, September 28, 2019          Simpsonville, SC        CCNB Amphitheatre at Heritage Park On Sale Now!

Saturday, October 12, 2019               San Bernardino, CA   NOS Events Center (Self Help Festival) On Sale Now!

Sunday, October 13, 2019                 Sacramento, CA         Aftershock Festival* On Sale Now!

Tuesday, October 15, 2019                Boise, ID                     CenturyLink Arena

Wednesday, October 16, 2019          Salt Lake City, UT      USANA Amphitheatre

Thursday, October 17, 2019              Denver, CO                 Fillmore Auditorium (Denver)

Monday, October 21, 2019                 Irving, TX                    The Pavilion at Toyota Music Factory

Tuesday, October 22, 2019                Houston, TX                NRG Arena

Wednesday, October 23, 2019          Corpus Christi, TX      Concrete Street Amphitheater*

Friday, October 25, 2019                    Saint Charles, MO      Family Arena

Saturday, October 26, 2019               Chicago, IL                 Credit Union 1 Arena at UIC

Sunday, October 27, 2019                 Minneapolis, MN         The Armory

Tuesday, October 29, 2019                Fargo, ND                   Scheels Arena

Wednesday, October 30, 2019          Des Moines, IA           Wells Fargo Arena

Thursday, October 31, 2019              Independence, MO     Silverstein Eye Centers Arena (SECA)

Saturday, November 2, 2019             Pittsburgh, PA             Petersen Events Center

Sunday, November 3, 2019               Fairfax, VA                  EagleBank Arena

Tuesday, November 5, 2019              Laval, QC                    Place Bell

Thursday, November 7, 2019             Reading, PA               The Santander Arena

Saturday, November 9, 2019             Glen Falls, NY            Cool Insuring Arena*

Sunday, November 10, 2019             Trenton, NJ                 CURE Insurance Arena

Tuesday, November 12, 2019            Syracuse, NY              The Oncenter War Memorial Arena*

Thursday, November 14, 2019           Fort Wayne, IN           Allen County War Memorial Expo Center

Friday, November 15, 2019                Cleveland, OH            Wolstein Center at CSU

Saturday, November 16, 2019           Ypsilanti, MI                Eastern Michigan University Convocation Center

Sunday, November 17, 2019             Huntington, WV          Big Sandy Superstore Arena

Tuesday, November 19, 2019            New York, NY             Terminal 5*

Thursday, November 21, 2019           Duluth, GA                  Infinite Energy Center

Friday, November 22, 2019                Nashville, TN              Nashville Municipal Auditorium

Saturday, November 23, 2019           Fayetteville, NC          Crown Coliseum

*not a Live Nation date

% without I Prevail and Beartooth

###

About Live Nation Entertainment

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com.

A Day To Remember Media Contact:

[email protected]

I Prevail and Beartooth Media Contact:

Amy Sciarretto

[email protected]                              

Live Nation U.S. Concerts Media Contacts:     

Emily Bender, [email protected]  

Monique Sowinski, [email protected]  

Date Set For Wednesday, October 16 at the Historic Venue

Tickets Go On Sale To The General Public Starting Friday, August 9

Today two GRAMMY Award-winning powerhouses, Ms. Lauryn Hill and H.E.R., have announced a special one night only co-headlining performance at The Hollywood Bowl. The Los Angeles concert event will take place Wednesday, October 16.

Tickets will be available to the general public beginning Friday, August 9 at 12pm PT. American Express® Card Members can purchase tickets before the general public beginning Tuesday, August 6 at 9am PT through Thursday, August 8 at 10pm local time.

Multi-platinum artist Ms. Lauryn Hill rose to prominence as the lone female member of The Fugees, one of the biggest selling hip-hop acts in the world. Her solo career soared when The Miseducation of Lauryn Hill was released over twenty years ago, which earned her five GRAMMY® Awards.

H.E.R. is making her mark as one of today’s top singer-songwriters with two GRAMMY Award wins this year for Best R&B Album (H.E.R.) and Best R&B Performance (“Best Part” featuring Daniel Caesar). 

###

About Live Nation Entertainment

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com.

Ms. Lauryn Hill Media Contact:

Ryan Cunningham, [email protected]

H.E.R. Media Contact:

Theola Borden, [email protected]

Live Nation U.S. Concerts Media Contacts:     

Emily Bender, [email protected] 

Monique Sowinski, [email protected]  

Ticketmaster Presence™ Will Be Installed in All Ohio State University Athletics Venues Including the Brand New Covelli Center and Newly Renovated Schottenstein Center

LOS ANGELES, Aug. 5, 2019 /PRNewswire/ — Ticketmaster, the global leader in ticketing, and The Ohio State University today announced the extension of their official ticketing partnership, which will be expanded to all Ohio State athletics venues, including the new state-of-the-art Covelli Center that will host Olympic sports such as wrestling, women’s volleyball, fencing, and gymnastics. Under the renewed partnership, Ticketmaster will continue to serve as the official ticketing partner and implement Ticketmaster Presence™, its next-generation digital ticketing and access control platform, at all OSU athletics venues, including the newly-renovated Schottenstein Center.

"Ticketmaster is undeniably the leader in ticketing and, over the last few years, has rolled out several new products that will provide OSU fans with the experience they deserve, whether it’s an event at the brand-new Covelli Center or in our historic Ohio Stadium," said Ohio State University Senior Vice President & Wolfe Foundation Endowed Athletics Director, Gene Smith. "Our fans will have the safest marketplace to buy or sell tickets across dozens of sports, concerts and other live events, with the peace of mind in knowing that their tickets are real."

In an effort to reduce ticket fraud, OSU eliminated PDF tickets last year. With Ticketmaster Presence, OSU will be able to provide fans with an even safer marketplace to buy, sell and transfer tickets and provide quicker venue entry for fans. Presence also enables OSU to create personalized experiences for each fan through greater insights into the lifecycle of a ticket, including who purchased the ticket and who is attending the event.

Through Presence, OSU will also implement SafeTix™ in the coming seasons, which ties a unique, identifiable digital ticket to each fan’s mobile phone through an encrypted barcode that automatically refreshes every few seconds. SafeTix also includes NFC technology that will allow fans to enter venues through a simple "tap and go".

"The Ohio State University has one of the most successful college athletic departments in history, and Ticketmaster is thrilled to renew our already decades-long partnership," said Tim Martin, Senior Vice President of College Athletics at Ticketmaster North America. "With Ticketmaster digital ticketing technology available at all OSU athletics venues, fans and alumni will now experience live events in ways they never have before – and with an unmatched level of personalization tailored to each individual fan."

The Ohio State University has one of the most storied athletic programs in all of college sports, winning eight national championships and 37 conference championships in football, as well as national championships in baseball, basketball, fencing, golf, gymnastics, rowing, pistol, swimming and diving, synchronized swimming, track and field, volleyball and wrestling. Ohio State University has 36 teams and hosts more than 150 athletics events every year on campus, as well as numerous concerts, family shows and other live events.

Over the past decade, Ticketmaster has supported more than 20 million tickets for OSU athletics and entertainment events. Ticketmaster also served as the official ticketing partner for the 10 largest attended regular season football games in the history of Ohio Stadium, as well as for hundreds of concerts and other live events in the Schottenstein Center since its opening in 1998.

Tickets for OSU athletics and entertainment events available at ticketmaster.com.

About Ticketmaster

Ticketmaster is the world’s largest ticket marketplace and the global market leader in live event ticketing products and services. Through official partnerships with thousands of venues, artists, sports teams, festivals, performing arts centers and theaters, Ticketmaster now processes over 500 million tickets per year across 29 different countries.

Ticketmaster is based in Hollywood, California and is a part of Live Nation Entertainment (NYSE: LYV).  For more information, visit news.ticketmaster.com.

About Ohio State Athletics

The Ohio State University Department of Athletics sponsors 36 fully-funded varsity sports – 17 for women, 16 for men, and three co-educational. The department is committed to providing its more than 1,000 student-athletes with the finest in academic and athletics support in order to ensure a quality and life-enhancing experience. The Department of Athletics is completely self-supporting and receives no university monies, tax dollars or student fees.

Contacts

Ashley Dos Santos, Ticketmaster, [email protected]; or Jerry Emig, Ohio State Athletics, [email protected]

Dates Are In Support Of Upcoming Album, III

Tickets On Sale To General Public Starting Friday, August 16

(Photo Credit: Danny Clinch)

The Lumineers have announced a 2020 headlining North American tour of arenas and amphitheatres. The tour dates are in support of their upcoming album III out September 13 on Dualtone (an Entertainment One Company) in the U.S. and Canada, and on Decca Records for the rest of the world. Mt. Joy, who recently emerged as “a fast and furious 21st century success story” (Magnet), has been added as support for multiple dates. Tickets go on sale to the general public beginning Friday, August 16 at 10am local time at TheLumineers.com.

The Lumineers are playing the grand opening of the new state-of-the-art Mission Ballroom in their hometown, Denver. The show will be streamed liveexclusivelyto The Lumineers’ Fan Club members via The Big Parade App.  Join the Fan Club HERE. The special show starts at 8pm MT on August 7th.

The Lumineers will once again partner with CID Entertainment to offer fans the opportunity to pair a premium concert ticket with merchandise or pre-show access to the III Lounge, with hospitality and entertainment. Packages will be available beginning August 12th at 10am local time. For details, visit cidentertainment.com/events/the-lumineers-tour/

The band has been headlining festivals in the US and Canada, like Bonnaroo, Hangout Festival, and Osheaga, as well as playing worldwide festivals like Glastonbury, Tinderbox, Fuji Rock, and Splendour in the Grass. In the fall the band will play their biggest shows ever in the UK, headlining The O2 Arena London, Manchester Arena, The SSE Hydro Glasgow and dates across Europe including 3Arena Dublin, Le Zenith Paris and Verti Music Hall Berlin. Remaining headline festival appearances this summer are Osheaga, Outside Lands, Bumbershoot and Sea.Hear.Now.

In addition to the tour dates, the band announces that the song “Leader Of The Landslide,” will be released tomorrow and a video will be available on Monday, August 5.

Active members of The Lumineers Fan Club will have exclusive first access to purchase tickets during the Fan Club Presale! The official Big Parade Presale will begin Monday, August 12th at 10am local time. Public Onsale will begin Friday, August 16th at 10am local time. Click HERE https://thelumineers.com/tour-dates/for tour dates.

2020 NORTH AMERICAN HEADLINE TOUR DATES:

Feb 1 –– Asheville, NC –– U.S. Cellular Center 

Feb 4 –– Columbus, OH –– Schottenstein Arena*

Feb 5 –– St. Louis, MO –– Enterprise Center*

Feb 7 –– Detroit, MI –– Little Caesars Arena*

Feb 8 –– Cleveland, OH –– Rocket Mortgage FieldHouse*

Feb 11 –– Grand Rapids, MI –– Van Andel Arena*

Feb 13 –– Brooklyn, NY –– Barclays Center*

 Feb 16 –– Charlottesville, VA –– John Paul Jones Arena*

Feb 18 –– Indianapolis, IN –– Bankers Life Fieldhouse

Feb 19 –– Nashville, TN –– Bridgestone Arena*

Feb 22 –– Chicago, IL –– Allstate Arena

Feb 25 –– Pittsburgh, PA –– PPG Paint Arena

Feb 26 –– Buffalo, NY –– Key Bank Center*

Feb 28 –– Washington DC –– Capital One Arena

Feb 29 –– Uncasville, CT –– Mohegan Sun Arena*

Mar 4 –– Toronto, ON –– Scotiabank Arena*

Mar 7 –– Ottawa, ON –– Canadian Tire Centre*

May 15 –– Woodlands, TX –– Cynthia Woods Mitchell Pavilion

May 16 –– Dallas, TX –– Dos Equis Pavilion

May 19 –– Jacksonville, FL –– Daily’s Place

May 22 –– Tampa, FL –– MIDFLORIDA CreditUnion Amphitheatre

May 23 –– West Palm Beach, FL –– Coral Sky Amphitheatre

May 27 –– Virginia Beach, VA –– Veterans United Home Loans Amphitheater at Virginia Beach

May 29 –– Charlotte, NC –– PNC Music Pavilion

May 30 –– Atlanta, GA –– Cellairis Amphitheater at Lakewood

Jun 2 –– Raleigh, NC –– Credit Coast Union Music Park at Walnut Creek

Jun 5 –– Camden, NJ –– BB&T Pavilion

Jun 6 –– Saratoga Springs, NY –– Saratoga Performing Arts Center

Jun 10 –– Gilford, NH –– Bank of New Hampshire Pavilion

Jun 12 –– Mansfield, MA –– Xfinity Center

*w/ Mt. Joy

###

Tickets Go On Sale To General Public Starting Friday, August 9

New Album ‘Norman Fucking Rockwell!’ Out Everywhere August 30

Lana Del Rey has announced her highly anticipated return to the road with a run of shows across the U.S. this fall. Produced by Live Nation, the eight-city outing will kick off September 21st in New York and make stops in Seattle, Portland and more before wrapping October 11th in San Diego, CA. The highly anticipated trek will also include an October 10th date at the famous Hollywood Bowl in Los Angeles, CA. Tickets go on sale to the general public beginning Friday, August 9th at 10am local time at LiveNation.com.

Lana recently revealed the official release date for her forthcoming album ‘Norman Fucking Rockwell!,’ out everywhere Friday, August 30th, 2019. The album is now available for pre-order on download, CD, vinyl and cassette in bespoke formats. The highly anticipated album was mainly produced and co-written with Jack Antonoff and will include ‘Venice Bitch,’ ‘Mariners Apartment Complex,’ ‘hope is a dangerous thing for a woman like me to have – but I have it,’ and the cover of Sublime’s ‘Doin’ Time’. 

Each ticket to The Norman Fucking Rockwell! Tourwill come with a copy of the album. For all other information visit – lanadelrey.com.

Lana Del Rey 2019 U.S. Tour Dates:

DATECITYVENUE
Sat Sep 21Wantagh, NYNorthwell Health at Jones Beach Theater
Mon Sep 30Vancouver, BCPepsi Live at Rogers Arena
Wed Oct 02Seattle, WAWaMu Theater
Thu Oct 03Portland, ORModa Center
Sun Oct 06Berkeley, CAThe Greek Theatre*
Tue Oct 08Sacramento, CASacramento Memorial Auditorium
Thu Oct 10Los Angeles, CAHollywood Bowl
Fri Oct 11San Diego, CACal Coast Credit Union Open Air Theatre

*not a Live Nation date

About Live Nation Entertainment

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com

Lana Del Rey Media Contacts:

Stephen Huvane, [email protected]

Scott Newman, [email protected] 

Live Nation U.S. Concerts Media Contacts:     

Emily Bender, [email protected] 

Monique Sowinski, [email protected] 

Pop Phenomenon Celebrates Eagerly Awaited New Album And Full-Length Companion Feature Film With Unique Theatrical Performances Around The World

North American Dates Get Underway October 13th In Washington, D.C.
European Run Begins December 2nd In Dublin, Ireland

U.S. Tour To Benefit The Trevor Project

 “K-12” Album Pre-Orders Available Now Pre-Orders Placed Via Melaniemartinezmusic.Com Through Monday, August 5th Receive Presale Access To Upcoming Headline Dates

Watch Official Film Trailer Here

“K-12” Arrives At All Music Retailers And Streaming Services On Friday, September 6th

Atlantic recording artist Melanie Martinez has announced plans to present a unique theatrical performance on a major world tour, produced by Live Nation. “The K-12 Tour” gets underway October 13thin Washington, D.C. at the All Things Go Fall Classic and then travels North America through late November; European dates follow, beginning December 2ndat Dublin, Ireland’s Olympia Theatre and then continues through mid-December. Support throughout the North American run comes from Lauren Ruth Ward; special guests for the European dates will be announced soon along with additional international dates. Tickets go on sale to the general public starting Friday, August 9that 10am (local) in North America/10am (GMT) in Europe. For complete details and additional information, please see melaniemartinezmusic.com.

“The K-12 Tour” celebrates the release of Martinez’s hugely anticipated new album and its accompanying full-length film. “K-12” arrives on Friday, September 6th; pre-orders are available now HERE, with all pre-orders placed via Martinez’s webstore through Monday, August 5thby 2 pm PT in the U.S. / 2pm in the UK receiving presale access to tickets for “The K-12 Tour.” Tickets go on sale to the general public starting Friday, August 9that 10am (local) in North America/10am (GMT) in Europe.

Melanie Martinez has partnered with PLUS1 so that $1 from every ticket sold will go to support organizations bringing dignity, equity, and access to communities who need it. In the US specifically, the $1 per ticket sold will benefit The Trevor Project, and their work providing crisis intervention and suicide prevention services for LGBTQ youth. TheTrevorProject.org / www.plus1.org

“It’s been a bit since I’ve been on tour and I’m incredibly excited to bring the movie to life on stage,” says Martinez, “I’m putting all of my energy into making it not only visually stunning and pleasing to the senses but also a fun learning experience and a safe place to express yourself and be accepted for exactly who you are.”

“K-12” marks Martinez’s long anticipated follow-up to her RIAA platinum certified, 2015 debut album, “CRY BABY.” Produced by Michael Keenan with the exception of one song produced by Kinetics & One Love (who previously collaborated with Martinez on such hits as “Dollhouse” and “Carousel”), the album serves as a soundtrack companion to an eerily enchanting new musical film, written, directed, and starring Martinez. The official K-12trailer is streaming now HEREand quickly received a stunning 2 million views in just 3 days of its premiere.

K-12will have its official Los Angeles premiere on Tuesday, September 3rd, exclusively at Hollywood’s famed Arclight Cinerama Dome. An official New York City premiere will follow on Thursday, September 5that the AMC Empire 25 in Times Square, with both premieres officially SOLD OUT within 24 hours. That same night will see K-12shown as a one-night-only global event in theatres around the world. Presented by preeminent global theatrical distributor Abramorama, K-12 will play in 60+ theatres in the U.S. and many more internationally in over 27 countries including the United Kingdom, Australia, Canada, Spain, Mexico, Brazil, New Zealand, Ireland and Argentina, to name only a few. A complete list of participating theatres and tickets can be found now via www.k-12thefilm.com, with additional markets & theaters to be announced shortly.

 Widely applauded for her remarkably creative live performances, Martinez will herald “K-12” and “The K-12 Tour” with a headline performance at Washington, DC’s upcoming All Things Go Fall Classic, set for Sunday, October 13that DC’s historic Union Market. For live updates, please see melaniemartinezmusic.com.

Download Press Materials Here

MELANIE MARTINEZ

THE K-12 TOUR

K-12 Tour Admat

OCTOBER

13        Washington, DC            All Things Go Fall Classic *^

15        Atlanta, GA                   Coca-Cola Roxy

16        Lake Buena Vista, FL      House of Blues Orlando

18        Charlotte, NC                The Fillmore Charlotte

19        Richmond, VA               The National^

20        Boston, MA                   Orpheum Theatre 

22        Toronto, ON                 Rebel

23        Detroit, MI                    The Fillmore Detroit

25        Chicago, IL                    Riviera Theatre

26        Columbus, OH               Express Live!^

29        New York, NY                Manhattan Center Hammerstein Ballroom

30        Philadelphia, PA            The Fillmore Philadelphia

NOVEMBER

1          Indianapolis, IN             Murat Theatre

2          Milwaukee, WI              The Eagles Ballroom

3          Saint Louis, MO             The Pageant

5          Houston, TX                  Revention Music Center

6          Irving, TX                      The Pavilion at Toyota Music Factory

8          Phoenix, AZ                  The Van Buren

9          Los Angeles, CA             Hollywood Palladium

10        Anaheim, CA                 House of Blues Anaheim

13        Oakland, CA                  Fox Theater^

15        Las Vegas, NV               The Pearl Concert Theater at Palms Casino Resort

16        Salt Lake City, UT          The Union

17        Denver, CO                   Paramount Theatre 

19        Garden City, ID             The Revolution Center

20        Seattle, WA                  Paramount Theatre

DECEMBER

2          Dublin, IR                      Olympia Theatre^

4          Glasgow, UK                 O2 Academy Glasgow

5          Manchester, UK            O2 Apollo Manchester

6          Newcastle Upon Tyne, UK         Newcastle City Hall

8          Birmingham, UK            O2 Academy Birmingham

9          London, UK                   O2 Shepherd’s Bush Empire

11        Portsmouth, UK            Guildhall

12        Leeds, UK                     O2 Academy Leeds

16        Amsterdam, NE             Melkweg^

17        Hamburg, DE                Docks^

* FESTIVAL PERFORMANCE

^not a Live Nation date

10/15-11/20 w/ Special Guest Lauren Ruth Ward

# # #

CONNECT WITH MELANIE MARTINEZ

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About PLUS1
PLUS1 is an initiative that channels the collective energy of a concert to catalyze social change. By partnering with performing artists, PLUS1 raises and grants millions of dollars to high impact nonprofits addressing our most serious global challenges around Access, Equity, and Dignity. The work begins with a $1 per ticket add-on that makes fundraising simple and seamless. Beyond the dollar, PLUS1 supports artists as educators and advocates, fueling their passion, reach, impact. To date, PLUS1 has raised and granted over $7 million, and served as the connective tissue between over 100 artists, millions of their fans, and 100s of leading social justice organizations tackling global injustice.

About Live Nation Entertainment

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com.

Melanie Martinez Press Contact:

Christina Kotsamanidis, [email protected]

Live Nation U.S. Concerts Media Contacts:     

Emily Bender, [email protected]

Monique Sowinski, [email protected]

Citi Presale Begins Tuesday, July 30 In The U.S.  

Tickets On Sale To The General Public Starting Friday, August 2

Today Il Divo announced their newest tour, A Holiday Song Celebration, will visit intimate North American venues this fall.The quartet is set to perform a distinct holiday spectacular unlike anything their fans have seen before.  Kicking off November 17 in Boston, the unique outing will stop in cities across the U.S. and Canada including New York, Toronto, Atlanta, Miami, Los Angeles, and many more before wrapping December 22 in San Diego. Full routing details can be found below. 

Il Divo will perform songs from The Christmas Collection, their compilation of merry classics that was certified Platinum by the RIAA. The audience can expect to hear memorable interpretations of familiar Christmas melodies for a heart-warming start to the festive season. 

Tickets go on sale to the general public beginning Friday, August 2 at 10am local time at LiveNation.com. Citi is the official presale credit card of the tour. As such, Citi cardmembers will have access to purchase presale tickets beginning Tuesday, July 30 at 10am local time until Thursday, August 1 at 10pm local time through Citi EntertainmentSM. For complete presale details visit www.citientertainment.com.           

Il Divo will offer VIP packages for each show with options that include premium seating, photo op with members of Il Divo, pre-show bar, and specially designed merchandise. Fans can visit www.VIPNation.com for more information.

Discovered and mentored by Simon Cowell over 15 years ago, Il Divo has become the consummate tenor powerhouse vocal group with foursold-out world tours to date, over 30 million albums sold, 160 gold and platinum albums in 33 countries to their credit. Il Divo was also the first classical crossover artists to have an album debut at #1 on Billboard’s Top 200 chart.

IL DIVO: A HOLIDAY SONG CELEBRATION

DATECITY VENUE
Sun Nov 17Boston, MAOrpheum Theatre
Tue Nov 19Providence, RIProvidence Performing Arts Center
Wed Nov 20New York, NYBeacon Theatre
Fri Nov 22Buffalo, NYShea’s Buffalo Theatre
Sat Nov 23Atlantic City, NJ*Hard Rock Hotel & Casino Atlantic City
Mon Nov 25Montreal, QCThéâtre Saint Denis
Tue Nov 26Toronto, ONQueen Elizabeth Theater
Fri Nov 29Durham, NCDPAC Durham
Sun Dec 01Atlanta, GACobb Energy Performing Arts Center
Tue Dec 03Jacksonville, FLFlorida Theatre
Wed Dec 04Miami, FLFillmore Miami Beach at Jackie Gleason Theatre
Fri Dec 06St. Petersburg, FLThe Mahaffey Theater
Sat Dec 07Orlando, FLBob Carr Performing Arts Centre
Tue Dec 10Tulsa, OKBrady Theater
Wed Dec 11Austin, TXACL Live at The Moody Theater
Fri Dec 13Houston, TXRevention Music Center
Sun Dec 15El Paso, TXThe Plaza Theatre
Tue Dec 17Phoenix, AZComerica Theatre
Wed Dec 18Los Angeles, CADolby Theatre
Sat Dec 21Riverside, CAFox Performing Arts Center
Sun Dec 22San Diego, CA*Sycuan Casino Resort

            *Date not produced by Live Nation 

###

About Live Nation Entertainment

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com

Live Nation U.S. Concerts Media Contacts:     

Emily Bender, [email protected] 

Monique Sowinski, [email protected] 

Special Guests To Be Announced

Citi Presale Begins Monday, July 29 at 1:00 pm Eastern

Tickets On Sale To The General Public Starting Friday, August 2

LOS ANGELES, July 29, 2019 /PRNewswire/ — Today Chance The Rapper announced his highly-anticipated return to the road with The Big Day, touching down in cities across North America this fall. The tour reveal follows the long-awaited release of his debut studio album, The Big Day, out last Friday. Please see tour itinerary below. 

The innovative GRAMMY award-winner will kick off the 35-stop tour on September 14th in San Francisco, CA and visit Los Angeles, Philadelphia, New York City, Houston and more before wrapping November 10th in Miami, FL. 

Tickets go on sale to the general public beginning this Friday, August 2nd at 10am local time at chanceraps.com/tour

Citi is the official presale credit card of the tour. As such, Citi cardmembers will have access to purchase presale tickets beginning Monday, July 29th at 1pm ET until Thursday, August 1st at 10pm local time through Citi EntertainmentSM. For complete presale details visit www.citientertainment.com. A limited number of LaneOne Premium Packages will also be available, including GA First On Floor access, amazing reserved seats, transportation, preferred entrance and more.  Check LaneOne for details.

Chance The Rapper’s debut album, aptly titled "The Big Day," perfectly encapsulates the magnitude of his first for sale offering and the marriage to the love of his life. Fresh off of the release of his mixtape trilogy to streaming services, "The Big Day" is a landmark progression for Chicago’s hometown hero. Inspired by all of the different emotions he felt on his wedding day, the album serves as a reminder of Chance’s importance and relevance to the canon of contemporary music. With "The Big Day," Chance takes cues from the rawness of 10 Day, the lyrical prowess of Acid Rap, and the wide-eyed optimism of Coloring Book to create his most dynamic body of work to date. Chance’s debut album, The Big Day, is finally here.

Chance The Rapper 2019 North American The Big Day Tour Dates:

DATE

CITY

VENUE

Saturday, September 14, 2019

San Francisco, CA

Chase Center

Monday, September 16, 2019

Los Angeles, CA

The Forum

Wednesday, September 18, 2019

San Diego, CA

Pechanga Arena

Friday, September 20, 2019

Las Vegas, NV

Life is Beautiful

Saturday, September 21, 2019

Las Vegas, NV

iHeartRadio Music Festival

Sunday, September 22, 2019

Glendale, AZ

Gila River Arena

Tuesday, September 24, 2019

Denver, CO

Pepsi Center

Thursday, September 26, 2019

Kansas City, MO

Sprint Center

Saturday, September 28, 2019

Chicago, IL

United Center

Wednesday, October 2, 2019

Newark, NJ

Prudential Center

Thursday, October 3, 2019

Boston, MA

TD Garden

Friday, October 4, 2019

Philadelphia, PA

Wells Fargo Center

Sunday, October 6, 2019

Pittsburgh, PA

PPG Paints Arena

Tuesday, October 8, 2019

New York, NY

Madison Square Garden

Friday, October 11, 2019

Washington, DC

Capital One Arena

Saturday, October 12, 2019

Charlotte, NC

Spectrum Center

Monday, October 14, 2019

Tampa, FL

Amalie Arena

Tuesday, October 15, 2019

Atlanta, GA

State Farm Arena

Thursday, October 17, 2019

Nashville, TN

Bridgestone Arena

Friday, October 18, 2019

Louisville, KY

KFC Yum! Center

Sunday, October 20, 2019

St. Louis, MO

Enterprise Center

Tuesday, October 22, 2019

Dallas, TX

American Airlines Center

Wednesday, October 23, 2019

Houston, TX

Toyota Center

Thursday, October 24, 2019

Austin, TX

Frank Erwin Center

Saturday, October 26, 2019

Tulsa, OK

BOK Center

Sunday, October 27, 2019

Omaha, NE

CHI Health Center

Tuesday, October 29, 2019

St. Paul, MN

Xcel Energy Center

Wednesday, October 30, 2019

Milwaukee, WI

Fiserv Forum

Friday, November 1, 2019

Detroit, MI

Little Caesars Arena

Saturday, November 2, 2019

Cleveland, OH

Rocket Mortgage FieldHouse

Monday, November 4, 2019

Toronto, ON

Scotiabank Arena

Tuesday, November 5, 2019

Ottawa, ON

Canadian Tire Centre

Thursday, November 7, 2019

Montreal, QC

Bell Centre

Friday, November 8, 2019

Buffalo, NY

KeyBank Center

Sunday, November 10, 2019

Miami, FL

Miami Beach Pop

 

Contacts

Monique Sowinski, [email protected]

BEVERLY HILLS, Calif., July 26, 2019 /PRNewswire/ — Live Nation Entertainment, the world’s leading live entertainment company, has been selected by PEOPLE as one of the top 50 U.S. "Companies That Care." The publication’s annual ranking spotlights companies that have succeeded in business while also demonstrating respect, compassion, and concern for their communities, their employees, and the environment.

Live Nation is proud to be recognized for its suite of employee benefits, as well as its dedication to veterans, gender equity, the LGBTQ community, and sustainability. As the global leader in live entertainment, Live Nation strives to set new standards for the music and entertainment industries and was proud to represent as the only company honored from either industry.

Live Nation’s employee benefits suite, called "Taking Care of Our Own," features programs that aim to help employees lead more balanced and fulfilled lives with holistic support themes including: taking care of yourself, taking care of your family, taking care of your health, taking care of your wealth, taking care of your career, and taking care of others. Overall, these initiatives are designed to meet employees where they are, and employees are asked to propose new program ideas to ensure the company is addressing the things its staff cares about most. 

In addition to standard benefits like healthcare, 401k matching, and vacation time, some of the Live Nation’s standout programs include:

  • Mindful Nation, an on-going series of weekly meditation sessions hosted in 30+ global offices
  • Personal healthcare concierge and virtual medical consultations
  • 6-months paid parental leave & a baby bonus
  • 6-month sabbatical
  • Student loan repayment assistance
  • Egg freezing and IVF coverage
  • 5 paid days off to volunteer every year
  • 5 paid days off to care for sick family members every year
  • Gender reassignment support
  • Kid Nation, Live Nation’s take on annual "bring your child to work day" that turns the company’s offices and venues into a kid-friendly festival for the day
  • Green Nation, Live Nation’s industry-leading global sustainability charter
  • Hero Nation, a resource group that provides support for veteran employees, focuses veteran hiring initiatives, and outreach in the vet community including $75 million in tickets donated to the non-profit Vet Tix
  • Adoption and surrogacy support
  • LYV stock purchase program
  • Dog-friendly offices
  • Pet insurance

"Our people are the heart and soul of our company, and my top priority is making sure Live Nation is a great place for them to work," said Michael Rapino, Live Nation Entertainment, CEO and President. "It’s a team effort to continue raising the bar for our business and our benefits and I’d like to thank all the Live Nation employees that continue to share their thoughts and ideas with me every day."

PEOPLE once again partnered with global workplace culture authority Great Place to Work to identify the top U.S. companies that best fit the criteria.  Live Nation Entertainment has been certified as a Great Place to Work since 2016, which is a testament to how its leaders and employees work together in tandem to elevate business and culture priorities, while implementing programs that will make a tangible difference.

Michael Bush, CEO of Great Place to Work, adds, "Leaders’ abilities to show up with genuine care and respect is at the core of any great workplace. Employees at this year’s 50 Companies That Care are exceptionally proud of the positive impact their organizations have on their people, communities and the wider world."

Live Nation, in addition to the 49 other companies that made the list, will be featured in the August 5th, 2019 issue of PEOPLE, which hits newsstands nationwide on Friday, July 26. See Live Nation’s feature here, or read more company stories and view the full list at: people.com/50companiesthatcare.

To identify the "50 Companies That Care," PEOPLE partnered with Great Place to Work to produce the list using the research firm’s extensive database and inside knowledge of outstanding workplaces around the globe.  Rankings are based on surveys representing over 4.5 million employees’ experiences of how their workplaces have made a difference in their lives and their communities. Rankings also reflect Great Place to Work’s assessment of the generosity of each organization’s benefits, philanthropic and community support, with a focus on activities occurring within the past year. 

#50CompaniesCare

ABOUT LIVE NATION ENTERTAINMENT
Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, Live Nation Advertising & Sponsorship and Artist Nation Management. For additional information, visit livenationentertainment.com.

ABOUT PEOPLE
Meredith Corporation’s PEOPLE revolutionized personality journalism when it launched as a weekly in 1974 with a mission to celebrate extraordinary people doing ordinary things and ordinary people doing extraordinary thingsUbiquitous and still at the center of pop culture more than 40 years later, the PEOPLE brand is accessible across all media and platforms (print, digital, video, OTT, mobile, social) bringing more than 100 million consumers a unique mix of breaking entertainment news, exclusive photos, video, unparalleled access to the red carpet, celebrities, and in-depth reporting on the most compelling newsmakers of our time. An essential component of PEOPLE’s editorial vision remains human interest stories, which touch and often mirror the lives of our passionate audience. ComScore ranks the PEOPLE/Entertainment Weekly Digital Network No. 1 in the entertainment news category.  And now, the PeopleTV app offers a free, advertiser-supported OTT streaming video service.  PEOPLE is an award-winning 24/7 news organization headquartered in NYC with reporters worldwide. For more information visit PEOPLE.com and follow @people on Twitter and Instagram, @peoplemag on Facebook, and the PEOPLE channel on YouTube and on Snapchat’s Discover

ABOUT GREAT PLACE TO WORK
Great Place to Work® is the global authority on workplace culture. It helps organizations quantify their culture and produce better business results by creating a high-trust work experience for all employees. Emprising®, its culture management platform, empowers leaders with the surveys, real-time reporting, and insights they need to make data-driven people decisions. The company uses its unparalleled benchmark data to recognize Great Place to Work-Certified™ companies and the Best Workplaces in the U.S. and more than 60 other countries, including Fortune‘s annual list of the 100 Best Companies to Work For. 

To learn more, visit greatplacetowork.com, listen to the podcast Better by Great Place to Work, and read "A Great Place to Work for All." Join the community on LinkedInTwitter, and Instagram.

 

 

Contacts

Live Nation: Kaitlyn Henrich: 424-303-6031, [email protected] OR PEOPLE: Julie Farin, Marnie Perez: 212-522-6300, [email protected] OR Great Place to Work: Kim Peters: 415-844-2574, [email protected]

Highlights (year-over-year):

  • Revenue Up 10% for the Quarter to $3.2 Billion
  • Operating Income Up 27% for the Quarter to $172 Million
  • Adjusted Operating Income Up 23% for the Quarter to $319 Million
  • 73 Million Concert Tickets Sold for 2019 Shows, Up Over 4 Million through mid-July
  • Sponsorship & Advertising Committed Net Revenue Up 18% Year-to-Date
  • Ticketmaster Fee-Bearing GTV Up 11% for the Quarter

LOS ANGELES, July 25, 2019 /PRNewswire/ — Live Nation Entertainment, Inc. (NYSE: LYV) today released financial results for the three and six months ended June 30, 2019.

The company delivered strong growth for the quarter, with operating income up 27%, adjusted operating income ("AOI") up 23%, and revenue up 10%. Each of our businesses contributed to these results, with all of them delivering double-digit operating income and AOI growth in the second quarter.

We continue to benefit from a strong tailwind in the live event, experience-based economy of today. The global ticket revenue from our concerts is up 16% for the first half of the year, as we continue to see a strong supply of artists touring matched with global consumer demand. And within this, the ticket revenue from concerts outside our top 100 artists is up 32% so far this year, demonstrating that the demand for live music is strong and growing from the largest stadiums to the local clubs.

We have created the most scalable and unparalleled business model in the industry, building a platform that brings over 570 million fans in 45 countries to live events each year. With our key metrics in concerts, sponsorship and ticketing all pacing well ahead of last year, we are confident that in 2019 the company will again deliver double-digit operating income and AOI growth.

Concerts Growing Fanbase

Starting with our concerts business, through mid-July we have sold over 73 million tickets for shows this year, up 6% or approximately 4.5 million tickets from the same point last year. This puts us on track to have nearly 100 million fans attend approximately 38,000 concerts this year.

In the second quarter, we had 27 million fans attend 10,000 shows, up 7% and 9%, respectively, from last year, and by far our largest second quarter ever. As a result, for the quarter we grew operating income by 45%, AOI by 33% and revenue by 11%. Our international business has been particularly strong through the first half, growing our fan base by 2.5 million fans with the greatest growth coming from our arenas, stadiums and theaters.

Globally, we continue to work with artists to enable them to capture the value from their shows – through optimized pricing and Ticketmaster tools such as Platinum, we have delivered over $500 million in incremental value to artists since the start of 2018. Through this, we have seen no reduction in demand, with global sell-through rates across our stadiums, arenas and amphitheaters as strong as last year.

Further, at our venues we continue to increase average per fan spending by enhancing the fan experience, providing reasons for them to arrive earlier, spending less time in line and improving the quality of food and beverage offerings. As a result, we currently expect our ancillary revenue per fan at our amphitheaters to grow by approximately $2.50 this year.

Overall, we see tremendous opportunity to continue growing our global market share, both organically and via targeted acquisitions. Our just announced acquisition of OCESA in Mexico, one of the top global promoters, continues our mission of building a global fan base to over 125 million fans.

All this gives me confidence that we will again deliver double-digit operating income and AOI growth in our concerts business this year.

Sponsorship & Advertising Connecting Brands With Fans

Our sponsorship business leverages our platform of nearly 100 million fans, providing brands a unique opportunity to connect directly with music fans at scale. By continuing to attract new brand partners and expand relationships with existing ones, we grew operating income by 14%, AOI by 12% and revenue by 8% for the quarter.

Much of our growth continues to come from large strategic partnerships, all of whom utilize a mix of our assets and span multiple years. This group accounts for over 70% of our total sponsorship, and the number of these sponsors has grown double-digits this year as we have added companies such as Adobe, Hyundai and Google. As a result, the committed spend by these strategic sponsors is also up double-digits through mid-July.

Globally, festivals in particular provide an attractive opportunity for sponsors to engage fans at a time when they are receptive to brand messages.  And once again, our festival sponsorship is on track for revenue per fan to be up double-digits this year, thanks in part to a growing portfolio of marquee festivals including Lollapalooza, Rock in Rio and EDC, which are of particular interest to brand partners.

Given the attractiveness of our platform to brands, and the double-digit growth in committed net revenue for the year, we currently expect to deliver sponsorship operating income and AOI growth in the mid-to-high teens for the full year.

Ticketmaster Leading the Market in Digital Transformation

Ticketmaster continues to demonstrate that it is the best global ticketing marketplace for venues, teams, artists and fans, with fee-bearing gross transaction value ("GTV") growth of 13% at constant currency in the quarter, making it our highest second quarter GTV ever. As a result, Ticketmaster’s operating income was up 31%, AOI was up 20% and revenue was up 6% for the quarter.

The addition of major clients such as Evenko in Canada, Chase Center in the U.S., the O2 in Prague, and 150 others worldwide further validates that Ticketmaster is content’s choice as the most effective ticketing platform in the world, with leading technology to service venues, sports teams and artists, and with an efficient marketplace that attracts and converts ticket buyers. Our industry-leading digital ticketing rollout is ahead of schedule, with Presence now expected to be installed at over 600 venues in the U.S. this year, including over 80% of major sports buildings and Live Nation amphitheaters.

And as the ticket is increasingly digital, we have also focused on ensuring our mobile marketplaces are the easiest place for fans to buy and manage their tickets. Because of that, we have seen a continued shift to mobile ticket buying, up 22% from the second quarter last year and now accounting for 45% of global ticket sales year to date. At the same time, we have been improving the consumer purchase process, which has increased conversion across both mobile and desktop.

As Ticketmaster continues to be an effective and efficient ticketing solution for content and fans alike, we expect to drive growth in GTV and operating results for the full year.

Summary

In summary, 2019 is on track for the company to deliver double-digit operating income and AOI growth along with strong gains in revenue.

Each of our businesses is contributing to this success, starting with concerts as we put on more shows for more fans, then continuing to monetize fans at the concert, sell more tickets to events of all types, and further deliver value to our sponsors from our platform of nearly 100 million fans.

Michael Rapino
President and Chief Executive Officer
Live Nation Entertainment, Inc.

The company will webcast a teleconference today at 5:00 p.m. Eastern Time to discuss its financial performance, operational matters and potentially other material developments. Interested parties should visit the "News / Events" section of the company’s website at investors.livenationentertainment.com to listen to the webcast.  Supplemental statistical and financial information to be provided on the call, if any, will be posted to the "Financial Info" section of the website. A replay of the webcast will also be available on the Live Nation website.

Notice Regarding Financial Statements

The company has provided certain financial statements at the end of this press release for reference.  These financial statements should be read in conjunction with the full financial statements, and the notes thereto, set forth in the company’s Quarterly Report on Form 10-Q filed with the Securities and Exchange Commission today and available on the SEC’s website at sec.gov.

About Live Nation Entertainment:

Live Nation Entertainment, Inc. (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Media & Sponsorship.  For additional information, visit investors.livenationentertainment.com.

FINANCIAL HIGHLIGHTS – 2nd QUARTER

(unaudited; $ in millions)

Q2 2019 
Reported

Q2 2018 
Reported

Growth

Q2 2019 
Constant 
Currency

Growth at 
Constant 
Currency

Revenue

Concerts

$

2,639.5

$

2,380.7

11

%

$

2,694.2

13

%

Ticketing

370.8

351.2

6

%

377.0

7

%

Sponsorship & Advertising

151.5

139.9

8

%

154.1

10

%

Other and Eliminations

(4.8)

(3.6)

(33)

%

(4.8)

(33)

%

$

3,157.0

$

2,868.3

10

%

$

3,220.5

12

%

Operating Income (Loss)

Concerts

$

60.7

$

41.8

45

%

$

62.4

49

%

Ticketing

64.1

49.1

31

%

64.5

31

%

Sponsorship & Advertising

91.4

80.5

14

%

93.4

16

%

Other and Eliminations

(0.2)

(3.6)

94

%

(0.2)

94

%

Corporate

(44.4)

(33.1)

(34)

%

(44.4)

(34)

%

$

171.6

$

134.7

27

%

$

175.7

30

%

Adjusted Operating Income (Loss)

Concerts

$

132.8

$

99.5

33

%

$

135.3

36

%

Ticketing

123.8

102.9

20

%

125.1

22

%

Sponsorship & Advertising

98.4

88.1

12

%

100.4

14

%

Other and Eliminations

(1.3)

(4.4)

70

%

(1.3)

70

%

Corporate

(34.5)

(25.7)

(34)

%

(34.5)

(34)

%

$

319.2

$

260.3

23

%

$

325.0

25

%

 

FINANCIAL HIGHLIGHTS – 6 MONTHS

(unaudited; $ in millions)

6 Months 2019
Reported

6 Months 2018
Reported

Growth

6 Months 2019
Constant 
Currency

Growth at
Constant 
Currency

Revenue

Concerts

$

3,957.6

$

3,419.7

16

%

$

4,050.3

18

%

Ticketing

708.4

723.6

(2)

%

721.5

%

Sponsorship & Advertising

226.6

214.5

6

%

231.7

8

%

Other and Eliminations

(7.8)

(7.0)

(11)

%

(7.8)

(11)

%

$

4,884.8

$

4,350.7

12

%

$

4,995.7

15

%

Operating Income (Loss)

Concerts

$

1.6

$

(22.1)

*

$

1.4

*

Ticketing

106.7

113.9

(6)

%

107.3

(6)

%

Sponsorship & Advertising

123.5

111.6

11

%

127.2

14

%

Other and Eliminations

(0.3)

(7.0)

96

%

(0.3)

96

%

Corporate

(83.8)

(67.8)

(24)

%

(83.8)

(24)

%

$

147.7

$

128.7

15

%

$

151.8

18

%

Adjusted Operating Income (Loss)

Concerts

$

138.2

$

83.9

65

%

$

140.7

68

%

Ticketing

224.2

223.9

%

226.7

1

%

Sponsorship & Advertising

138.3

127.0

9

%

142.0

12

%

Other and Eliminations

(2.7)

(8.8)

69

%

(2.7)

69

%

Corporate

(63.4)

(51.9)

(22)

%

(63.5)

(22)

%

$

434.6

$

374.1

16

%

$

443.2

18

%

* percentages are not meaningful

 

  • As of June 30, 2019, total cash and cash equivalents were $2.3 billion, which includes $777 million in ticketing client cash and $363 million in free cash.
  • Event-related deferred revenue was $1.6 billion at each of June 30, 2019 and 2018.
  • For the quarter ended June 30, 2019, net cash used in operating activities was $176 million and free cash flow — adjusted was $220 million.
  • We currently expect capital expenditures for the full year to be approximately $310 million, with more than half to be revenue generating capital expenditures.
  • We currently expect the amortization of non-recoupable ticketing contract advances for the full year 2019 to be in line with the last few years of expense.

 

KEY OPERATING METRICS

Q2 2019

Q2 2018

6 Months 
2019

6 Months 
2018

(in thousands except estimated events)

Concerts (1)

Events:

North America

6,920

6,342

12,455

11,133

International

3,039

2,756

5,577

5,140

Total estimated events

9,959

9,098

18,032

16,273

Fans:

North America

15,730

16,108

24,672

22,898

International

11,177

9,145

17,132

14,590

Total estimated fans

26,907

25,253

41,804

37,488

Ticketing (2)

Fee-bearing tickets

53,185

48,140

103,211

101,170

Non-fee-bearing tickets

53,749

52,997

120,864

119,562

Total estimated tickets

106,934

101,137

224,075

220,732

(1)

Events generally represent a single performance by an artist. Fans generally represent the number of people who attend an event. Festivals are counted as one event in the quarter in which the festival begins, but the number of fans is based on the days the fans were present at the festival and thus can be reported across multiple quarters. Events and fan attendance metrics are estimated each quarter.

(2)

The fee-bearing tickets estimated above include primary and secondary tickets that are sold using our Ticketmaster systems or that we issue through affiliates. This metric includes primary tickets sold during the period regardless of event timing, except for our own events where our concert promoters control ticketing and which are reported as the events occur. The non-fee-bearing tickets estimated above include primary tickets sold using our Ticketmaster systems, through season seat packages and our venue clients’ box offices, along with tickets sold on our ‘do it yourself’ platform.

Reconciliation of Certain Non-GAAP Measures to Their Most Directly Comparable GAAP Measures (Unaudited)

Reconciliation of Free Cash Flow  Adjusted to Net Cash Provided by (Used in) Operating Activities

($ in millions)

Q2 2019

Q2 2018

Net cash used in operating activities

$

(175.8)

$

(255.7)

Changes in operating assets and liabilities (working capital)

444.0

466.1

Free cash flow from earnings

$

268.2

$

210.4

Less: Maintenance capital expenditures

(34.9)

(23.2)

          Distributions to noncontrolling interests

(13.5)

(11.6)

Free cash flow — adjusted

$

219.8

$

175.6

Net cash used in investing activities

$

(196.8)

$

(225.7)

Net cash used in financing activities

$

(26.4)

$

(89.5)

 

($ in millions)

6 Months
2019

6 Months
2018

Net cash provided by operating activities

$

293.3

$

519.8

Changes in operating assets and liabilities (working capital)

52.2

(225.6)

Free cash flow from earnings

$

345.5

$

294.2

Less: Maintenance capital expenditures

(59.4)

(41.1)

          Distributions to noncontrolling interests

(63.4)

(31.1)

Free cash flow — adjusted

$

222.7

$

222.0

Net cash used in investing activities

$

(281.7)

$

(314.4)

Net cash provided by (used in) financing activities

$

(97.9)

$

314.7

Reconciliation of Free Cash to Cash and Cash Equivalents

($ in millions)

June 30,
 2019

Cash and cash equivalents

$

2,270.3

Client cash

(777.2)

Deferred revenue — event-related

(1,573.2)

Accrued artist fees

(119.5)

Collections on behalf of others

(36.4)

Prepaid expenses — event-related

598.8

   Free cash

$

362.8

Forward-Looking Statements, Non-GAAP Financial Measures and Reconciliations:

Certain statements in this press release constitute "forward-looking statements" within the meaning of the Private Securities Litigation Reform Act of 1995. Such forward-looking statements include, but are not limited to, statements regarding anticipated double-digit operating income and adjusted operating income growth with strong gains in revenue for the company in 2019, including double-digit operating income and adjusted operating income growth in the company’s concerts business, operating income and adjusted operating income growth in the mid-to-high teens for sponsorship, and growth in gross transaction value and operating results for Ticketmaster; projected attendance at the company’s concerts of nearly 100 million fans with approximately 38,000 events in 2019; expectations that ancillary revenue per fan at the company’s amphitheaters will grow by approximately $2.50 for the year; the strength of the opportunity for the company to continue growing its global concerts market share, both organically and via targeted acquisitions; anticipated double-digit growth in festival sponsorship revenue per fan for the year; and the expectation that Presence will be installed at over 600 venues in the U.S. in 2019, including over 80% of major sports buildings and Live Nation amphitheaters. Live Nation wishes to caution you that there are some known and unknown factors that could cause actual results to differ materially from any future results, performance or achievements expressed or implied by such forward-looking statements, including but not limited to operational challenges in achieving strategic objectives and executing on the company’s plans, the risk that the company’s markets do not evolve as anticipated, the potential impact of any economic slowdown and operational challenges associated with selling tickets and staging events.

Adjusted Operating Income (Loss), or AOI, is a non-GAAP financial measure that the company defines as operating income (loss) before certain stock-based compensation expense, loss (gain) on disposal of operating assets, depreciation and amortization (including goodwill impairment), amortization of non-recoupable ticketing contract advances and acquisition expenses (including transaction costs, changes in the fair value of accrued acquisition-related contingent consideration obligations, and acquisition-related severance and compensation). The company uses AOI to evaluate the performance of our operating segments. The company believes that information about AOI assists investors by allowing them to evaluate changes in the operating results of our portfolio of businesses separate from non-operational factors that affect net income (loss), thus providing insights into both operations and the other factors that affect reported results.  AOI is not calculated or presented in accordance with GAAP.  A limitation of the use of AOI as a performance measure is that it does not reflect the periodic costs of certain amortizing assets used in generating revenue in our business.  Accordingly, AOI should be considered in addition to, and not as a substitute for, operating income (loss), net income (loss), and other measures of financial performance reported in accordance with GAAP.  Furthermore, this measure may vary among other companies; thus, AOI as presented herein may not be comparable to similarly titled measures of other companies.

Constant Currency is a non-GAAP financial measure. The company calculates currency impacts as the difference between current period activity translated using the current period’s currency exchange rates and the comparable prior period’s currency exchange rates. The company presents constant currency information to provide a framework for assessing how our underlying businesses performed excluding the effect of foreign currency rate fluctuations.

Free Cash Flow — Adjusted, or FCF, is a non-GAAP financial measure that the company defines as net cash provided by (used in) operating activities less changes in operating assets and liabilities, less maintenance capital expenditures, less distributions to noncontrolling interest partners. The company uses FCF among other measures, to evaluate the ability of its operations to generate cash that is available for purposes other than maintenance capital expenditures.  The company believes that information about FCF provides investors with an important perspective on the cash available to service debt, make acquisitions, and for revenue generating capital expenditures.  FCF is not calculated or presented in accordance with GAAP.  A limitation of the use of FCF as a performance measure is that it does not necessarily represent funds available for operations and is not necessarily a measure of the company’s ability to fund its cash needs.  Accordingly, FCF should be considered in addition to, and not as a substitute for, net cash provided by (used in) operating activities and other measures of financial performance reported in accordance with GAAP.  Furthermore, this measure may vary among other companies; thus, FCF as presented herein may not be comparable to similarly titled measures of other companies.

Free Cash is a non-GAAP financial measure that the company defines as cash and cash equivalents less ticketing-related client funds, less event-related deferred revenue, less accrued expenses due to artists and cash collected on behalf of others, plus event-related prepaids.  The company uses free cash as a proxy for how much cash it has available to, among other things, optionally repay debt balances, make acquisitions and fund revenue generating capital expenditures.  Free cash is not calculated or presented in accordance with GAAP.  A limitation of the use of free cash as a performance measure is that it does not necessarily represent funds available from operations and it is not necessarily a measure of our ability to fund our cash needs. Accordingly, free cash should be considered in addition to, and not as a substitute for, cash and cash equivalents and other measures of financial performance reported in accordance with GAAP.  Furthermore, this measure may vary among other companies; thus, free cash as presented herein may not be comparable to similarly titled measures of other companies.

Reconciliations of Certain Non-GAAP Measures to Their Most Directly Comparable GAAP Measures (Unaudited)

Reconciliation of Adjusted Operating Income (Loss) to Operating Income (Loss)

($ in millions)

Operating income
(loss)

Stock-based
compensation
expense

Loss
(gain) on
disposal of
operating assets

Depreciation
and

amortization

                 Amortization of

non-recoupable
ticketing
contract
advances

Acquisition
expenses

Adjusted
operating
income
(loss)
reported

Foreign
exchange
impact

Adjusted
operating
income
(loss)
constant
currency

Three Months Ended June 30, 2019

Concerts

$

60.7

$

3.1

$

(0.2)

$

54.2

$

$

14.9

$

132.8

$

2.5

$

135.3

Ticketing

64.1

1.6

0.1

39.5

18.2

0.3

123.8

1.3

125.1

Sponsorship & Advertising

91.4

0.7

6.4

98.4

2.0

100.4

Other and Eliminations

(0.2)

0.1

(1.2)

(1.3)

(1.3)

Corporate

(44.4)

6.3

3.6

(34.5)

(34.5)

Total Live Nation

$

171.6

$

11.7

$

(0.1)

$

103.8

$

17.0

$

15.2

$

319.2

$

5.8

$

325.0

Three Months Ended June 30, 2018

Concerts

$

41.8

$

4.0

$

0.1

$

46.5

$

$

7.1

$

99.5

$

$

Ticketing

49.1

1.2

35.0

17.4

0.2

102.9

Sponsorship & Advertising

80.5

0.5

7.1

88.1

Other and Eliminations

(3.6)

0.2

(1.1)

(4.4)

Corporate

(33.1)

6.4

1.0

(25.7)

Total Live Nation

$

134.7

$

12.1

$

0.1

$

89.8

$

16.3

$

7.3

$

260.3

$

$

Six Months Ended June 30, 2019

Concerts

$

1.6

$

6.6

$

(0.4)

$

105.6

$

$

24.7

$

138.2

$

2.4

$

140.7

Ticketing

106.7

3.1

0.1

76.9

36.9

0.5

224.2

2.5

226.7

Sponsorship & Advertising

123.5

1.3

13.4

138.3

3.7

142.0

Other and Eliminations

(0.3)

0.3

(2.6)

(2.7)

(2.7)

Corporate

(83.8)

13.9

6.5

(63.4)

(63.5)

Total Live Nation

$

147.7

$

24.9

$

(0.2)

$

202.7

$

34.3

$

25.2

$

434.6

$

8.6

$

443.2

Six Months Ended June 30, 2018

Concerts

$

(22.1)

$

5.9

$

0.1

$

92.1

$

$

7.9

$

83.9

$

$

Ticketing

113.9

2.3

68.6

38.5

0.5

223.9

Sponsorship & Advertising

111.6

0.7

14.7

127.0

Other and Eliminations

(7.0)

0.4

(2.3)

(8.8)

Corporate

(67.8)

14.1

1.9

(51.9)

Total Live Nation

$

128.7

$

22.9

$

0.1

$

177.7

$

36.3

$

8.3

$

374.1

$

$

 

LIVE NATION ENTERTAINMENT, INC.

CONSOLIDATED BALANCE SHEETS

(unaudited)

June 30,
 2019

December 31,
 2018

(in thousands)

ASSETS

Current assets

Cash and cash equivalents

$

2,270,341

$

2,371,540

Accounts receivable, less allowance of $35,215 and $34,225, respectively

1,096,754

829,320

Prepaid expenses

858,469

597,866

Restricted cash

14,638

6,663

Other current assets

44,685

42,685

Total current assets

4,284,887

3,848,074

Property, plant and equipment

Land, buildings and improvements

1,101,316

984,558

Computer equipment and capitalized software

782,994

742,737

Furniture and other equipment

356,597

329,607

Construction in progress

129,418

160,028

2,370,325

2,216,930

Less accumulated depreciation

1,344,857

1,270,337

1,025,468

946,593

Operating lease assets

1,186,909

Intangible assets

Definite-lived intangible assets, net

753,490

661,451

Indefinite-lived intangible assets

368,846

368,854

Goodwill

1,925,725

1,822,943

Long-term advances

575,787

420,891

Other long-term assets

408,275

428,080

Total assets

$

10,529,387

$

8,496,886

LIABILITIES AND EQUITY

Current liabilities

Accounts payable, client accounts

$

989,570

$

1,037,162

Accounts payable

170,274

90,253

Accrued expenses

1,339,881

1,245,465

Deferred revenue

1,890,997

1,227,797

Current portion of long-term debt, net

55,409

82,142

Current portion of operating lease liabilities

120,065

Other current liabilities

39,527

67,047

Total current liabilities

4,605,723

3,749,866

Long-term debt, net

2,708,642

2,732,878

Long-term operating lease liabilities

1,138,893

Deferred income taxes

169,985

137,067

Other long-term liabilities

113,060

204,977

Commitments and contingent liabilities

Redeemable noncontrolling interests

385,328

329,355

Stockholders’ equity

Common stock

2,101

2,091

Additional paid-in capital

2,296,010

2,268,209

Accumulated deficit

(968,312)

(1,019,223)

Cost of shares held in treasury

(6,865)

(6,865)

Accumulated other comprehensive loss

(148,791)

(145,231)

Total Live Nation stockholders’ equity

1,174,143

1,098,981

Noncontrolling interests

233,613

243,762

Total equity

1,407,756

1,342,743

Total liabilities and equity

$

10,529,387

$

8,496,886

 

LIVE NATION ENTERTAINMENT, INC.

CONSOLIDATED STATEMENTS OF OPERATIONS

(unaudited)

Three Months Ended
June 30,

Six Months Ended
June 30,

2019

2018

2019

2018

(in thousands except share and per share data)

Revenue

$

3,157,009

$

2,868,315

$

4,884,837

$

4,350,699

Operating expenses:

Direct operating expenses

2,327,414

2,135,107

3,479,018

3,067,191

Selling, general and administrative expenses

513,497

476,438

978,363

911,049

Depreciation and amortization

103,826

89,785

202,738

177,656

Loss (gain) on disposal of operating assets

(101)

108

(248)

146

Corporate expenses

40,787

32,152

77,243

65,962

Operating income

171,586

134,725

147,723

128,695

Interest expense

36,792

35,519

73,307

68,203

Interest income

(3,818)

(2,705)

(6,366)

(3,888)

Equity in loss (earnings) of nonconsolidated affiliates

(5,828)

313

(8,972)

(3,402)

Other expense (income), net

(430)

6,443

(3,833)

6,771

Income before income taxes

144,870

95,155

93,587

61,011

Income tax expense

28,750

11,799

32,708

18,683

Net income

116,120

83,356

60,879

42,328

Net income attributable to noncontrolling interests

12,765

13,997

9,968

6,875

Net income attributable to common stockholders of Live Nation

$

103,355

$

69,359

$

50,911

$

35,453

Basic net income per common share available to common stockholders of Live Nation

$

0.43

$

0.25

$

0.12

$

0.01

Diluted net income per common share available to common stockholders of Live Nation

$

0.41

$

0.24

$

0.11

$

0.01

Weighted average common shares outstanding:

Basic

209,998,048

207,331,781

209,456,196

207,031,642

Diluted

219,977,612

215,105,119

219,107,351

215,075,203

Reconciliation to net loss available to common stockholders of Live Nation:

Net income attributable to common stockholders of Live Nation

$

103,355

$

69,359

$

50,911

$

35,453

Accretion of redeemable noncontrolling interests

(13,515)

(17,172)

(25,827)

(33,557)

Net income available to common stockholders of Live Nation—basic

$

89,840

$

52,187

$

25,084

$

1,896

Convertible debt interest, net of tax

86

Net income available to common stockholders of Live Nation—diluted

$

89,926

$

52,187

$

25,084

$

1,896

 

LIVE NATION ENTERTAINMENT, INC.

CONSOLIDATED STATEMENTS OF CASH FLOWS

(unaudited) 

Six Months Ended
June 30,

2019

2018

(in thousands)

CASH FLOWS FROM OPERATING ACTIVITIES

Net income

$

60,879

$

42,328

Reconciling items:

Depreciation

106,015

85,493

Amortization

96,723

92,163

Amortization of non-recoupable ticketing contract advances

34,267

36,285

Amortization of debt issuance costs and discounts, net

10,828

9,298

Non-cash compensation expense

24,926

22,946

Other, net

11,902

5,694

Changes in operating assets and liabilities, net of effects of acquisitions and dispositions:

Increase in accounts receivable

(256,575)

(229,016)

Increase in prepaid expenses and other assets

(380,285)

(604,699)

Increase in accounts payable, accrued expenses and other liabilities

5,880

112,065

Increase in deferred revenue

578,763

947,269

Net cash provided by operating activities

293,323

519,826

CASH FLOWS FROM INVESTING ACTIVITIES

Advances of notes receivable

(13,931)

(69,346)

Collection of notes receivable

5,337

14,481

Investments made in nonconsolidated affiliates

(28,931)

(38,201)

Purchases of property, plant and equipment

(135,940)

(100,641)

Cash paid for acquisitions, net of cash acquired

(87,595)

(93,256)

Purchases of intangible assets

(20,614)

(27,620)

Other, net

20

188

Net cash used in investing activities

(281,654)

(314,395)

CASH FLOWS FROM FINANCING ACTIVITIES

Proceeds from long-term debt, net of debt issuance costs

558

857,121

Payments on long-term debt

(21,933)

(372,650)

Distributions to noncontrolling interests

(63,373)

(31,143)

Purchases and sales of noncontrolling interests, net

(1,463)

(131,093)

Proceeds from exercise of stock options

10,199

10,854

Taxes paid for net share settlement of equity awards

(10,259)

(8,602)

Payments for deferred and contingent consideration

(19,962)

(14,655)

Other, net

8,323

4,899

Net cash provided by (used in) financing activities

(97,910)

314,731

Effect of exchange rate changes on cash, cash equivalents and restricted cash

(6,983)

(48,671)

Net increase (decrease) in cash, cash equivalents and restricted cash

(93,224)

471,491

Cash, cash equivalents and restricted cash at beginning of period

2,378,203

1,828,822

Cash, cash equivalents and restricted cash at end of period

$

2,284,979

$

2,300,313

 

Contacts

Investor Contact: Jackie Beato, (310) 867-7143, [email protected]; Media Contact: Carrie Davis, (310) 975-6941, [email protected]